Book Reviews

Exhibition Reviews

“New York 1962-1964.” The Jewish Museum, NYC. Brooklyn Rail, September 2022.

“Christian Boltanski at Noguchi Museum.” ArtTimesJournal, August 2021

“The Timely Dissent of a Vietnam War-Themed Show.” Review of Artists Respond: American Art and Vietnam War, 1965–1975, Smithsonian American Art Museum. Hyperallergic, April 15, 2019

“Tough Acts, To Follow.” Brooklyn Rail, November 2015, 27

“This Land is Their Land.” Review of exhibition and catalogue Ends of the Earth: Land Art to 1974, MOCA Los Angeles. Art Journal 71, no. 4 (Winter 2012), 125-128

“Brandon Ballengée at Ronald Feldman Gallery.” Art in America 100, October 2012, 175-176

“Petah Coyne at the Sculpture Center and Gallery Lelong.” Art in America 94, January 2006, 118

“Susan Hauptman at Forum Gallery.” Art in America, Sept. 1999, 122 >>>

‘James Valerio at George Adams Gallery.” Art in America 86, December 1999, 113

“Beverly Pepper at Forte Belvedere.” Artnet.com, July 23, 1998

“Marketing Bohemia.” Tenth St. Studio Building. Artnet.com, July 22, 1997

“Objects Fabulous, Desire Frustrated.” Modern Still Life at Museum of Modern Art. Artnet.com, June 4, 1997

“Corot: Gardens of History, Site of Time.” Artnet.com, November 22, 1996

“Donald Lipski.” Glass 41, Fall 1990

“Wayne Toepp.” Art in America 77, no. 11, November 1989, 196

“Nocturnal Visions.” Contemporanea, October 1989, 95-96.

“Tracy Grayson.” Art in America, December 1988

*“Duncan Hannah.” Art in America. September 1988

“Bruno Ceccobelli.” Art in America. September 1988

“Eric Orr.” Art in America, May 1988

“Jack Earl.” Art in America, April 1988

Joan Nelson.” Art in America, February 1988

“Dorothea Rockburne.” Artforum, June 1986

“Roberto Juarez.” Artforum, May 1986

“Irving Norman.” Artforum, April 1986

“Scot Borofsky.” Artforum, March 1986

“Raymundo Sesma.” Artforum, February 1986

“Robert Yarber.” Artforum, January 1986

“Stuart Lehrman.” Artforum, December 1985

“Milton Komisar.” Artforum, November 1985

“Charles Anoldi,” and “William Wiley.” Artforum, October 1985

“Made in New York.” Artweek, July 27, 1985

“John Roloff.” Artforum, April 1985

“Tom Akawie.” Artforum, May1985

“Al Payne.” Artforum, April 1985

“Lynn Hershman.” Artforum, March 1985

“Ron Nagle.” Artforum, February 1985

“Roger Berry.” Artforum, December 1984

“Not an Ambidextrous Talent.” Bob Laney. Artweek, November 10, 1984, 3

“Susan Dannenfelser.” Artforum, November 1984

“Getting Mad & Falling in Love.” ExpoSee, November/December 1984

“Slow Ceremonies.” Yuzo Nakano. Artweek, September 29, 1984 12

“Nathan Oliveira: Phantoms and Fragments.” Artweek, September 22, 1984, 1

“James Turrell.” Artforum, September 1984

“A Mixed Bouquet.” abstracted flowers. Artweek, June 30, 1984

“Dark Introspective Explorations.” Harold Paris Artweek, June 2, 1984

“Squeak Carnwath.” Artforum, June 1984

“Let Us Pray.” Religion 1984) Artweek, May 12, 1984

“Enigmatic Juxapositions.” Scott Newkirk Artweek, May 5, 1984

“Pat Klein.” Artforum, May 1984

“Tribal Affinities.” Michael Carey Artweek, April 7, 1984

“David Simpson.” Artforum, April 1984

“Won Seven, Lost Seven.” Controversial Public Art. Artweek, March 17, 1984

“Neon.” Artforum, March 1984

“Sylvia Lark.” Artforum, February 1984

“A Curator's Choice.” Artweek, January 7, 1984

“Clay Jensen.” Artforum, January 1984

“Joan Brown.” Artforum, December 1983

“West Coast Pattern.” Artforum, November 1983

“The Impolite Figure.” Artforum, October 1983

“Greg Renfrow.” Artforum, September 1983

“Different Strokes.” Mark Johnson Artweek, August 27, 1983

“Deborah Butterfield.” Artforum, June 1983

“Slant Step.” Artforum, May 1983

“A Multidimensional Achievement.”, Performance work. Artweek, April 23, 1983, 8

“On Location in Oakland.”, Installations) Artweek, April 2, 1983

“Robert Hudson.” Artforum, April 1983

“John Buck: Metaphors of Consciousness.”Artweek 14, no. 12, March 26, 1983, 1

“Labors of Love.” Louise Stanley at the Quay Gallery, San Francisco Focus 30, no. 3 (March 1983): 10-11

“Stephen De Staebler.” Artforum, March 1983

“Six East Bay Artists.” Artforum, January 1983

'Polymorphous Perversity.” San Francisco Bay Guardian, December 22, 1982 50

“Whites' Kitsch, Blacks' Art.” San Francisco Bay Guardian, December 1, 1982 42

“The Untouchables.” Robert Graham. San Francisco Bay Guardian, November 17, 1982

“Yes on N.O.” San Francisco Bay Guardian, November 3, 1982

“Modernists Who Also Looked Backwards.” San Francisco Bay Guardian, October 20, 1982)

“Coloring Experience.” Painted installations. Artweek, October 9, 1982

“Auto-graphs and Car-toons.” San Francisco Bay Guardian, October 6, 1982)

“Potent Allusions.” Bella Feldman, Artweek, October 2, 1982)

“The Way We Were.” Precisionist Images of America. San Francisco Bay Guardian, September 22, 1982

“Survival Tactic.” Performance by Suzanne Lacy. Artweek, September 4, 1982

An Exhibition of Artistic 'Auto'-Graphs.” San Francisco Chronicle, July 22, 1982

“The Strange Beings that Populate the Art World.” San Francisco Chronicle, July 20, 1982, 38

“What's 'Neo' in the Art Word.” San Francisco Chronicle, July 15, 1982)

“A Broad Spectrum of Works on Paper.” San Francisco Chronicle, July 14, 1982, 50

“California Landscape Tradition.” San Francisco Chronicle, July 13, 1982

“Pared-Down Show of Works by Leading French Artists.” San Francisco Chronicle, July 10, 1982, 33

“A Billboard with a message That's Hard to Miss.” San Francisco Chronicle, July 5, 1982, 38

“Pulse of the City.” San Francisco Chronicle, July 3, 1982

'Painting, From Raunch to Cotton Candy.” San Francisco Chronicle, July 1, 1982

“Broom's Sculpture: Whimsical Art Providing Something to Chew.” San Francisco Chronicle, June 29, 1982)

“Fresh Paint, New Fingerprints.” San Francisco Chronicle, Sunday June 27, 1982, 15

“Local Artists at Their Best.” San Francisco Chronicle, June 26, 1982

“Siting Imaginative Artistry.” San Francisco Chronicle, June 22, 198)

“Art History Doesn't Quite Repeat Itself.” San Francisco Chronicle, June 10, 1982

“Rush's 'Fire Fountains' Spark Interest in Berkeley.” San Francisco Chronicle, June 9, 1982

“Paper Products: Some Novel Pulp.” San Francisco Chronicle, June 3, 1982, 67

“An Eclectic Group of Works on Paper.” San Francisco Chronicle, June 2, 1982

“Willem de Kooning: Portrait of an Artist.” San Francisco Chronicle, May 29, 1982, 38

“Politicizing the Concept of the Art 'World.” San Francisco Chronicle, May 26, 1982

“Julian Schnabel: Eat coat Star's Dynamic Novelty.” San Francisco Chronicle, May 25, 1982

“Metaphor and Esthetic.”, Clay Jensen) Artweek, May 15, 1982, 3

“Alvin Light's Wood Play.” Artweek, February 20, 1982

“The Imagery of Silence”, Edward Hopper) columnist, Artbeat 2, no. 1, December 1981-January 1982, 16.

“American Beauties.”(several exhibitions) columnist, Artbeat 1, no. 9, July-August 1981, 27

“Paper Products.” Six California Artists, Union Street Gallery. columnist, Artbeat 1, no. 8, May-June 1981, 30

“Golden Dragon Revisited.” Colin Lee. columnist, Artbeat 1, no. 8, May-June 1981, 27

“Stamp Out Art.” “Rubber Stamps as Process Art.” La Mammelle Gallery. columnist, Artbeat 1, no. 7, April 1981 27

“Guise and Dolls.” Neil Jenney. columnist, Artbeat 1, no. 7, April 1981 35

“Bronze Beauty.” Arnoldo Pomodoro, columnist, Artbeat 1, no. 7, April 1981, 35

“Brown is Best.” Abstractions, San Francisco Art Institute. columnist, Artbeat 1, no. 7, April 1981 27

“Auto Biography.”, Chip Lord) columnist, Artbeat 1, no. 6, March 1981 14

“Two New Art Spaces.” columnist, Artbeat 1, no. 6, March 1981 13

“Horses of a Different Color.” Columnist, Artbeat 1, no. 6, March 1981 27

“Expressionist Frenzy.” Expressionism, A German Intuition, SFMOMA. columnist, Artbeat 1, no. 6, March 1981, 28

“Women's Art Month.” columnist, Artbeat 1, no. 5 , February 1981 12

“Local Color.” Women of Color and Vision, Artweek , October 24, 1981 6.

“SECA Awards Discourage: Minimal Risk and Deja Vu.” Artweek 12, no. 27, August 29, 1981, 1

“Remembering New MOMA.” Artweek, May 23, 1981

“In Light of Neon.” Bill Kane. Artweek, May 16, 1981

“The Point of Punk Paint.” East Bay Express, May 8, 1981, 12

“Past and Presence, Responses to Tradition.” Artweek, February 28, 1981

“Public Sculpture and Community Responsibility.” Artweek, January 17, 1981

“Decoration and Trancendence.” Artweek, January 24, 1981

“Expressionism: The Politics of Intuition.” Images & Issues 2, no.3, Winter 1981-1982, 36-38.

“Dynamics of Painterly Space.” Glenn Jampol. Artweek, November 22, 1980

“Patterns with Panache.” Ida Kohlmeyer. Artweek, November 8, 1980

“Glenn Jampol's Studio Show, & Tell.” Columnist, Artbeat 1, no. 2, November 1980, 25

“Anti WWIII.” San Francisco Poster Brigade, columnist, Artbeat 1, no. 2, November 1980, 18-19

“Hill Country.” West Art, October 24, 1980, 2

“Private Initiative, Public Space.” Richard Haas. Artweek, October 18, 1980.

“Paper Products.” Artweek, September 27, 1980,

“Linear Rigor.” Josef Albers, sculpture. Artweek, September 13, 1980,

“Showing Work.” The Daily Californian, August 28, 1980, 9

“Prints of Darkness.” West Art, August 22, 1980

“Prints of Darkness.” The Daily Californian, August 14, 1980, 10.

“Fooling the Eye.” East Bay Express 2, no. 41, August 8, 1980,

“Doors and Windows.” West Art 18, no. 22, August 8, 1980, 1, 13.

“Rewarding Masters.” The Daily Californian, August 7, 1980, 11.

“Exuberant Steel, Leaden Pencil.” Jeff Whyman. Artweek, August 2, 1980, 6

“Worlds in Print.” The Daily Californian, July 31, 1980, 7

“Great Americana in Oakland Museum.” West Art, July 16, 1980, 16

“American Pride.” The Daily Californian, July 24, 1980, 13

“Knowing the Ropes.” Elizabeth Sher. Artweek, July 19, 1980

“Exhibition Rites.” The Daily Californian, July 10, 1980, 7.

“Copyrites and Wrongs.” Photocopy art. Artweek, July 5, 1980, 15

“Art for Modern Times.” Philip Guston. The Daily Californian, June 26, 1980, 8

“Women's Work.” The Daily Californian, May 30, 1980, 17

“Outlining Space.” The Daily Californian, May 16, 1980, 18.

“Apprizing Art.” The Daily Californian, May 9, 1980, 8

“Cleft Palette.” Robert Bechtle. The Daily Californian, May 2, 1980, 18

“Traveling Light.” The Daily Californian, April 25, 1980, 17

“Art Squared.” Constructivism. The Daily Californian, April 18, 1980, 12

Black and White Leather.” The Daily Californian, April 11, 1980, 16.

“Painting – Made Simple or Simplistic?” color field painting. Artweek, April 6, 1980

“Benton's Folds.” The Daily Californian, April 4, 1980, 9

“Looking at Undergrads.” The Daily Californian, March 21, 1980, 9

“The Three Faces of Avedon.” The Daily Californian, March 14, 1980, 7-8

“Framing Art.” The Daily Californian, March 7, 1980, 8

“Live from New York.” The Daily Californian, February 28, 1980, 4-5

“Narratives in Collage and Print.” West Art, February 22, 1980, 3

“Illusions of Reality.” The Daily Californian, February 22, 1980, 9

“Creation by Fire.” Jay McCafferty. Artweek, February 23, 1980)

“In Light of Neon.” The Daily Californian, February 8, 1980, 11

“Sew & Show.” The Daily Californian, February 1, 1980, 14

“Franz Marc: Rhythm & Blue Horses.” The Daily Californian, January 18, 1980, 7

“Simpson's Delicate Balance.” The Daily Californian, January 7, 1980, 7

“Geometry and Sensualism in Balance.” David Simpson) Artweek, December 29, 1979)

“Perverse Pleasures.” The Daily Californian, December 14, 1979, 11.

“70s Art: Territorial Expansion.” The Daily Californian, December 7, 1979, 28

“Photcopylation.” The Daily Californian, November 30, 1979, 18.

“Contemporary Pastorals.” Williard Dixon. Artweek, November 24, 1979

“Narrative Traces.” Laura Cornett. Artweek, November 17, 1979, 13

“Admitting Sensuality.” John Duff. Artweek, November 10, 1979, 4

“Paper Products.” The Daily Californian, November 16, 1979, 16.

“Interwar Sculpture.” The Daily Californian, November 2, 1979, 16.

“Painting on Campus.” The Daily Californian, October 26, 1979, 21.

“Rocks of Ages.”, Wallace Berman) The Daily Californian, October 19, 1979, 15

“Fear of Flights.” Alice Aycock. The Daily Californian, October 4, 1979, 11

“Environments for Experience.” Artweek, September 22, 1979, 1

“Women's Work Honored.” The Daily Californian, September 28, 1979, 18

“Sticks & Stones.” Michael Singer. The Daily Californian, September 21, 1979, 14

“Love Litter.” George Herms. The Daily Californian, September 14, 1979, 10.

“Arp on Paper.” Artweek, August 11, 1979,

“Meditations on the Common.” Richard Estes and Giorgio Morandi. Artweek, July 28, 1979

“Spirit of the Valley.” Artweek, May 19, 1979, 5

“Mixing Media and Metaphors.” Price Amerson. Artweek, April 7, 1979)

“Alan Saret – Visionary Aspirations.” Artweek, March 17, 1979

“Days of their Lives.” Art from concentration camps. Artweek, March 3, 1979, 3

“David Simpson: Painterly Refinements.” Artweek, November 18, 1978

“Animals in Translation.” Artweek 9, no. 36, October 28, 1978, 6

“Cosmic Space, Painterly Space.” Kate Delos. Artweek 9, no. 33, October 7, 1978, 9

“Manuel Neri - Recent Work.” Artweek, August 13, 1977

“Rauschenberg Retrospective in SF.” University of California Aggie, July 27, 1977, 4-5

“Artvisions of Sexuality in Gallery.” University of California Aggie, July 20, 1977

“'Artspace' Invites Art.” University of California Aggie, July 6, 1977

“Great Ideas at the Crocker Gallery.” University of California Aggie, June 29, 1977

“New Neri Figures at 'Artspace.'” University of California Aggie, June 13, 1977, 3

“Five Gallery Feast.” University of California Aggie, June 6, 1977

“'New Art' at the Crocker.” University of California Aggie, May 18, 1977, 11

“Women Artists Prove Ineffectual.” University of California Aggie, May 11, 1977, 3

“Galleries Offer Expressions.” University of California Aggie, May 4, 1977)

“'Sculptured Prints' at the Nelson Gallery.” University of California Aggie, April 20, 1977

“Four Photographer at Le Sahuc.” University of California Aggie, April 13, 1977

“Art and Science.” University of California Aggie, April 27, 1977